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  • John William Waterhouse - The Lady of Shalott
  • John William Waterhouse - Mariana in the South
  • John William Waterhouse - Echo and Narcissus
  • John William Waterhouse - Psyche entering Cupid's garden
  • John William Waterhouse - The Awakening of Adonis
  • John William Waterhouse - Fair Rosamund
  • John William Waterhouse - Nymphs Finding the Head of Orpheus
  • John William Waterhouse - Diogenes
  • John William Waterhouse - Ulysses and the Sirens
  • John William Waterhouse - Study For Gather Ye Rosebuds While Ye May
  • John William Waterhouse - Psyche Opening the Golden Box
  • John William Waterhouse - Ariadne
  • John William Waterhouse - After the dance
  • John William Waterhouse - Destiny
  • John William Waterhouse - Narcissus
  • John William Waterhouse - Thisbe (aka The Listener)
  • John William Waterhouse - The Sorceress (study)
  • John William Waterhouse - Cleopatra
  • John William Waterhouse - Woman Picking Flowers
  • John William Waterhouse - Gathering summer flowers in a devonshire garden
  • John William Waterhouse - Apollo and Daphne
  • John William Waterhouse - Sweet Summer
  • John William Waterhouse - Listening to His Sweet Pipings
  • John William Waterhouse - Undine
  • John William Waterhouse - Flora
  • John William Waterhouse - The Magic Circle
  • John William Waterhouse - The Remorse of Nero After the Murder of His Mother
  • John William Waterhouse - A Hamadryad
  • John William Waterhouse - The enchanted garden
All 113 Artworks from John William Waterhouse

John William Waterhouse (baptised 6 April 1849; died 10 February 1917) was an English painter known for working in the Pre-Raphaelite style. He worked several decades after the breakup of the Pre-Raphaelite Brotherhood, which had seen its heydey in the mid-nineteenth century, leading him to have gained the moniker of "the modern Pre-Raphaelite". Borrowing stylistic influences not only from the earlier Pre-Raphaelites but also from his contemporaries, the Impressionists, his artworks were known for their depictions of women from both ancient Greek mythology and Arthurian legend.

Born in Italy to English parents who were both painters, he later moved to London, where he enrolled in the Royal Academy of Art. He soon began exhibiting at their annual summer exhibitions, focusing on the creation of large canvas works depicting scenes from the daily life and mythology of ancient Greece. Later on in his career he came to embrace the Pre-Raphaelite style of painting despite the fact that it had gone out of fashion in the British art scene several decades before.

Although not as well known as earlier Pre-Raphaelite artists such as Dante Rossetti, John Millais and William Holman Hunt, Waterhouse's work is currently displayed at several major British art galleries, and the Royal Academy of Art organised a major retrospective of his work in 2009.

Early life

Waterhouse was born in the city of Rome to the British painters William and Isabella Waterhouse in 1849, in the same year that the members of the Pre-Raphaelite Brotherhood, including Dante Rossetti, John Millais and William Holman Hunt, were first causing a stir in the London art scene. The exact date of his birth is unknown, though he was baptised on 6 April, and the later scholar of Waterhouse's work, Peter Trippi, believed that he was born between 1 and 23 January. His early life in Italy has been cited as one of the reasons why many of his later paintings were set in ancient Rome or based upon scenes taken from Roman mythology.

In 1854, the Waterhouses returned to England and moved to a newly built house in South Kensington, London, which was near to the newly founded Victoria and Albert Museum. Waterhouse, or 'Nino' as he was nicknamed, coming from an artistic family, was encouraged to get involved in drawing, and often sketched artworks that he found in the British Museum and the National Gallery. In 1871 he entered the Royal Academy of Art school, initially to study sculpture, before moving on to painting.

Early career

Waterhouse's early works were not Pre-Raphaelite in nature, but were of classical themes in the spirit of Alma-Tadema and Frederic Leighton. These early works were exhibited at the Dudley Gallery, and the Society of British Artists, and in 1874 his painting Sleep and His Half Brother Death was exhibited at the Royal Academy summer exhibition. The painting was a success and Waterhouse would exhibit at the annual exhibition every year until 1916, with the exception of 1890 and 1915. He then went from strength to strength in the London art scene, with his 1876 piece After the Dance being given the prime position in that year's summer exhibition. Perhaps due to his success, his paintings typically became larger and larger in size.

Later career

In 1883 he married Esther Kenworthy, the daughter of an art schoolmaster from Ealing who had exhibited her own flower-paintings at the Royal Academy and elsewhere. They did not have any children. In 1895 Waterhouse was elected to the status of full Academician. He taught at the St. John's Wood Art School, joined the St John's Wood Arts Club, and served on the Royal Academy Council.

One of Waterhouse's most famous paintings is The Lady of Shalott, a study of Elaine of Astolat, who dies of grief when Lancelot will not love her. He actually painted three different versions of this character, in 1888, 1894, and 1916. Another of Waterhouse's favorite subjects was Ophelia; the most famous of his paintings of Ophelia depicts her just before her death, putting flowers in her hair as she sits on a tree branch leaning over a lake. Like The Lady of Shalott and other Waterhouse paintings, it deals with a woman dying in or near water. He also may have been inspired by paintings of Ophelia by Dante Gabriel Rossetti and Millais. He submitted his Ophelia painting of 1888 in order to receive his diploma from the Royal Academy. (He had originally wanted to submit a painting titled "A Mermaid", but it was not completed in time.) After this, the painting was lost until the 20th century, and is now displayed in the collection of Lord Lloyd-Webber. Waterhouse would paint Ophelia again in 1894 and 1909 or 1910, and planned another painting in the series, called "Ophelia in the Churchyard". Waterhouse could not finish the series of Ophelia paintings because he was gravely ill with cancer by 1915. He died two years later, and his grave can be found at Kensal Green Cemetery in London.
[Biography - John William Waterhouse - 6Ko]
John William Waterhouse (baptisé le 6 avril 1849 décédé le 10 Février 1917) est un peintre anglais connu pour son travail dans le style préraphaélite. Il a travaillé plusieurs décennies après l'éclatement de la Confrérie préraphaélite, qui avait vu son heydey dans le milieu du XIXe siècle, qui l'a amené à avoir gagné le surnom de "l'préraphaélite ...
[Biography - John William Waterhouse - 8Ko]
John William Waterhouse (getauft 6 April 1849, gest. 10. Februar 1917) war ein englischer Maler bei der Arbeit im Präraffaeliten Stil bekannt. Er arbeitete mehrere Jahrzehnte nach dem Zerfall der Präraffaeliten, die ihre Blütezeit in der Mitte des neunzehnten Jahrhunderts gesehen hatte, was ihn zu dem Spitznamen "der modernen Präraffaeliten" gewonn...
[Biography - John William Waterhouse - 7Ko]
John William Waterhouse (battezzato 6 Aprile 1849, morto il 10 febbraio 1917) è stato un pittore inglese noto per aver lavorato in stile preraffaellita. Ha lavorato alcuni decenni dopo lo scioglimento della Confraternita dei Preraffaelliti, che aveva visto la sua heydey nella metà del diciannovesimo secolo, che lo portano ad avere ottenuto il sopra...
[Biography - John William Waterhouse - 7Ko]
John William Waterhouse (bautizado el 06 de abril 1849, fallecido el 10 de febrero de 1917) fue un pintor Inglés conocido por trabajar en el estilo prerrafaelita. Trabajó varias décadas después de la disolución de la Hermandad Prerrafaelita, que había visto su heydey a mediados del siglo XIX, que lo llevó a haber ganado el apodo de "la moderna pre-...
[Biography - John William Waterhouse - 7Ko]
Джон Уильям Уотерхаус (крестился 6 апреля 1849, умер 10 февраля 1917) был известный английский художник для работы в прерафаэлитов стиле. Он работал несколько десятилетий после распада прерафаэлитов Братства, которые видели его heydey в середине девятнадцатого века, что привело его получили прозвище "современной прерафаэлитов". Заимствование стилис...
[Biography - John William Waterhouse - 6Ko]
约翰威廉罗兵咸会计师事务所(受洗4月6日1849年,死于1917年2月10日)是英国画家拉斐尔前派风格。拉斐尔前派兄弟会,看到了其在十九世纪中叶heydey解体后,他工作了几十年来,他已获得的“现代拉斐尔前派”的绰号。借款只能从早期的预Raphaelites也从他的同时代人,印象派风格的影响,他的作品被称为来自古希腊神话和亚瑟王传奇女性的描绘。 谁都是画家的英国父母出生在意大利,他后来搬到了伦敦,在那里他在皇家艺术学院就读。他很快就开始在其年度夏季展览展示,侧重于创造大型帆布作品描绘的日常生活和古希腊神话中的场景。后来在他的职业生涯,他的怀抱,尽管在英国的前几十年的艺术舞台,它已经过时了拉斐尔前派的绘画风格。 罗兵咸会计师事务所的工作虽然没有以及早期​​拉斐尔前派,如但丁罗塞蒂,约翰米莱斯和...
[Biography - John William Waterhouse - 3Ko]
John William Waterhouse (batizado 06 de abril de 1849 e morreu 10 de fevereiro de 1917) foi um pintor Inglês conhecido por trabalhar no estilo Pré-Rafaelita. Ele trabalhou várias décadas após a dissolução da Irmandade Pré-rafaelita, que tinha visto a sua heydey em meados do século XIX, levando-o a ter ganho o apelido de "o moderno Pré-Rafaelita". E...
[Biography - John William Waterhouse - 7Ko]
ジョンウィリアムウォーターハウスは(1849年4月6洗礼を受けた、1917年2月10日に死亡)ラファエロ前派のスタイルでの作業のために知られている英語の画家。彼は彼が"現代のラファエル前派"のモニカを取得していることをリードする、19世紀半ばにそのheydeyを見ていたラファエル前派、の解散後数十年働いた。だけでなく、以前のラファエル前派からだけでなく、彼の同時代、印象派から文体の影響を借りて、彼の作品は、古代ギリシャ神話とアーサー王伝説の両方からの女性の彼らの描写のために知られていた。 両方の画家だった英語の両親にイタリアで生まれ、彼は後で彼は王立芸術アカデミーに入学ロンドンに移り、。彼はすぐに古代ギリシャの日常生活と神話からの場面を描いた大きなキャンバスの作成に焦点を当て、彼らの毎年恒例...
[Biography - John William Waterhouse - 4Ko]